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Full referenceHarris, Kristine, “The New Woman: Image, Subject, and Dissent in 1930s Shanghai Film Culture”, (1995)
TypeJournal article
Author(s)Harris, Kristine
Title“The New Woman: Image, Subject, and Dissent in 1930s Shanghai Film Culture”,
Year1995
JournalRepublican China,
Volume20
Number2
Start page55
End page79
LanguageEnglish
SubjectHistory
Keywordsculture; women; cinema; movies; cultural
AbstractSuggests that the controversy over the social messages carried in the silent film The New Woman (1935) and the subsequent suicide of lead actress Ruan Lingyu (1910-35), imitating the fate of the film's protagonist, was due to the film's ambiguous handling of gender and class, which could best be understood through an analysis of film director Cai Chusheng's (1906-68) complex cinematic techniques.
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